George R.R. Martin is no stranger to killing off beloved characters. HBO’s Game of Thrones, and his A Song of Ice and Fire series that inspired it, are littered with the corpses of heroes, villains, and everyone in between. How did Martin become so comfortable with shocking his audience? Because when he was a kid, J.R.R. Tolkien did it to him.
The 100 did a thing. OK, it did a lot of things in season five. Bug consumption, cannibalism, nuclear holocaust, genocide, additional AI possession, drug addiction, weird mother-daughter relations, fighting pits, threatened abortion by pistol — this season has had a lot going on.
After walking away from the show more than a season and a half ago I tried to dip my toe back in and found myself almost in love again. The 100, despite the profound nihilism it is steeped in, has been a ride this season. But I’m still trying to decide if I’m offended or astounded.
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